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Wayne Booth. The Rhetoric of Fiction Wayne Booth. The Rhetoric of Fiction
"Not many books can be called indispensable. This one can. . . . Many people, reading this sane and cogent book, are going to feel as if doors and windows had been opened."--Wallace Stegner, American Scholar
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Jonathan Culpeper. Language and Characterisation in Plays and Texts Jonathan Culpeper. Language and Characterisation in Plays and Texts
Other Texts explores how the words of a text create a particular impression of a character in the reader's mind. Drawing together theories from linguistics, social cognition and literary stylistics, it
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Dorrit Cohn. The Distinction of Fiction Dorrit Cohn. The Distinction of Fiction
"Dorrit Cohn provides us with a comprehensive survey of the controversy about the relation between factual and fictional narration, and shows how it might be resolved. As a reference-point (and perhaps a lightning-rod) for future discussion, the
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LISA ZUNSHINE. WHY WE READ FICTION: THEORY OF MIND AND THE NOVEL (THEORY INTERPRETATION NARRATIV) LISA ZUNSHINE. WHY WE READ FICTION: THEORY OF MIND AND THE NOVEL (THEORY INTERPRETATION NARRATIV)
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives,
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George Orwell, A.M. Heath. Animal Farm and 1984 George Orwell, A.M. Heath. Animal Farm and 1984
ANIMAL FARM George Orwell's classic satire of the Russian Revolution is an intimate part of our contemporary culture. It is the account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal
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Mark Turner. The Literary Mind Mark Turner. The Literary Mind
Turner, a professor of English with a passion for cognitive studies, proposes new and intriguing interpretations of the workings of the mind and the evolution of language and grammar. "The literary mind is the fundamental mind," he states, then
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J. A. Cuddon. The Penguin Dictionary of Literary Terms and Literary Theory (Penguin Dictionary) J. A. Cuddon. The Penguin Dictionary of Literary Terms and Literary Theory (Penguin Dictionary)
The latest installment of this trusted literary companion covers all aspects of literary theory, from definitions of technical terms to characterizations of literary movements. Geared toward students, teachers, readers, and writers alike, The
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Vincent B. Leitch. The Norton Anthology of Theory and Criticism Vincent B. Leitch. The Norton Anthology of Theory and Criticism
The Norton Anthology of Theory and Criticism presents a staggeringly varied collection of the most influential critical statements from the classical era to the present day. Edited by scholars and teachers whose interests range from the
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Jean Alter. A Sociosemiotic Theory of Theatre Jean Alter. A Sociosemiotic Theory of Theatre

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Michael Issacharoff. Discourse As Performance Michael Issacharoff. Discourse As Performance
Language Notes Text: English, French (translation)
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Manfred Pfister. The Theory and Analysis of Drama (European Studies in English Literature) Manfred Pfister. The Theory and Analysis of Drama (European Studies in English Literature)
Manfred Pfister’s book is the first to provide a coherent and comprehensive framework for the analysis of plays in all their dramatic and theatrical dimensions. The materical on which his analysis is based covers all genres and periods of drama,
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Mick Wallis, Simon Shepherd. Studying Plays Mick Wallis, Simon Shepherd. Studying Plays
ed and expanded, the new edition of this best-selling text provides students with a comprehensive introduction to drama. Looking at key elements of drama such as character, dialogue, plot, action, the body, and space, and drawing on examples
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Roger Fowler. Linguistic Criticism (Opus) Roger Fowler. Linguistic Criticism (Opus)
A fruitful, well-established development in literary studies has been the application of ideas drawn from linguistics. Precise analytical methods help the practical criticism of texts, while at the same time the theory of language has illuminated
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Galit Hasan-Rokem, David Shulman. Untying the Knot: On Riddles and Other Enigmatic Modes Galit Hasan-Rokem, David Shulman. Untying the Knot: On Riddles and Other Enigmatic Modes
This book collects eighteen previously unpublished essays on the riddle--a genre of discourse found in virtually every human culture. Hasan-Rokem and Shulman have drawn these essays from a variety of cultural perspectives and disciplines; linguists,
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Michael Toolan. Narrative (Interface) Michael Toolan. Narrative (Interface)
New exercises, further reading suggestions, and an updated bibliography, enhance this second edition of the classic Narrative . Toolan shows how systematic attention to language can reveal the works, their tellers, and their audience. New
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E.M. Forster. Aspects of the Novel E.M. Forster. Aspects of the Novel
Forster’s lively, informed originality and wit have made this book a classic. Avoiding the chronological approach of what he calls “pseudoscholarship,” he freely examines aspects all English-language novels have in common: story, people, plot,
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Mark Currie. Postmodern Narrative Theory (Transitions) Mark Currie. Postmodern Narrative Theory (Transitions)
Review "A highly intelligent study, covering all the relevant theoretical issues skillfully and clearly." --Professor Frank Kermode, Cambridge University
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Piotr Michalowski. Lamentation over the Destruction of Sumer and Ur (Mesopotamian Civilizations Vol 1) Piotr Michalowski. Lamentation over the Destruction of Sumer and Ur (Mesopotamian Civilizations Vol 1)

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Tom Kindt, Hans-Harald Muller. Implied Author: Concept and Controversy (Narratologia 9) Tom Kindt, Hans-Harald Muller. Implied Author: Concept and Controversy (Narratologia 9)
This book addresses itself to the concept of the implied author, which has been the cause of controversy in cultural studies for some fifty years. The opening chapters examine the introduction of the concept in Wayne C. Booth's "Rhetoric of Fiction"
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BRIAN RICHARDSON. UNNATURAL VOICES: EXTREME NARRATION IN MODERN AND CONTEMPO (THEORY INTERPRETATION NARRATIV) BRIAN RICHARDSON. UNNATURAL VOICES: EXTREME NARRATION IN MODERN AND CONTEMPO (THEORY INTERPRETATION NARRATIV)
Brian Richardson presents a study that explores in depth one of the most significant aspects of late modernist, avant-garde, and postmodern narrative. Unnatural Voices analyzes in depth the creation, fragmentation, and reconstitution of experimental
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BRIAN RICHARDSON. NARRATIVE DYNAMICS: ESSAYS ON TIME, PLOT, CLOSURE, AND FRAME (THEORY INTERPRETATION NARRATIV) BRIAN RICHARDSON. NARRATIVE DYNAMICS: ESSAYS ON TIME, PLOT, CLOSURE, AND FRAME (THEORY INTERPRETATION NARRATIV)

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Erich Auerbach. Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages Erich Auerbach. Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages
In this, his final book, Erich Auerbach writes, "My purpose is always to write history." Tracing the transformations of classical Latin rhetoric from late antiquity to the modern era, he explores major concerns raised in his Mimesis: the historical
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Ernst Robert Curtius. European Literature and the Latin Middle Ages Ernst Robert Curtius. European Literature and the Latin Middle Ages
In this "magnificent book" (T. S. Eliot), Ernst Robert Curtius (1886-1956), one of the foremost literary scholars of this century, examines the continuity of European literature from Homer to Goethe, with particular emphasis on the Latin Middle
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Jonathan D. Culler. The Literary in Theory (Cultural Memory in the Present) Jonathan D. Culler. The Literary in Theory (Cultural Memory in the Present)
"The Literary in Theory takes up questions that have been basic to the enterprise known as ‘theory’ with a fine mix of historical awareness, lively critical sense, and thoughtful advocacy. Culler’s vision of literary studies is inclusive and
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Jonathan Culler. Literary Theory: A Very Short Introduction (Very Short Introductions) Jonathan Culler. Literary Theory: A Very Short Introduction (Very Short Introductions)
What is Literary Theory? Is there a relationship between literature and culture? In fact, what is Literature, and does it matter? These are the sorts of questions addressed by Jonathan Culler in a book which steers a clear path through a subject
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Jonathan Culler. Barthes: A Very Short Introduction (Very Short Introductions) Jonathan Culler. Barthes: A Very Short Introduction (Very Short Introductions)
This acclaimed short study, originally published in 1983, and now thoroughly updated, elucidates the varied theoretical contributions of Roland Barthes (1915-80), the 'incomparable enlivener of the literary mind' whose lifelong fascination was with
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Espen J. Aarseth. Cybertext: Perspectives on Ergodic Literature Espen J. Aarseth. Cybertext: Perspectives on Ergodic Literature
Can computer games be great literature? Do the rapidly evolving and culturally expanding genres of digital literature mean that the narrative mode of discourse -- novels, films, television series -- is losing its dominant position in our culture? Is
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Salvatore Attardo. Linguistic Theories of Humor (Humor Research, No. 1) Salvatore Attardo. Linguistic Theories of Humor (Humor Research, No. 1)

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Susan Lohafer. Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story Susan Lohafer. Reading for Storyness: Preclosure Theory, Empirical Poetics, and Culture in the Short Story
"Lohafer explores a unique idea, one 'revolv[ing] around an experiment in which one or more readers identify sentences within a story when the text could end.' Lohafer presents student response to this experiment and goes on to analyze a number of
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Brian McHale. Postmodernist Fiction Brian McHale. Postmodernist Fiction
"This is one of the most lively and lucid studies of contemporary fiction around. Whether or not you agree with his provocative definition of the postmodern, McHale's argument is always engaging, bold and forceful."--Linda Hutcheon "Not only does
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Monika Fludernik. Fictions of Language and the Languages of Fiction, The Monika Fludernik. Fictions of Language and the Languages of Fiction, The
In The Fictions of Language and the Languages of Fiction , Monika Fludernik presents a detailed analysis of free indirect discourse as it relates to narrative theory and the crucial problematic of how speech and thought are represented
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Monika Fludernik. Towards a 'Natural' Narratology Monika Fludernik. Towards a 'Natural' Narratology
Towards a "Natural" Narratology makes an intervention into ongoing debates in literary theory and criticism. Monika Fludernik argues for a new narrative theory which builds on insights from conversational narrative while touching on
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Marisa Bortolussi, Peter Dixon. Psychonarratology: Foundations for the Empirical Study of Literary Response Marisa Bortolussi, Peter Dixon. Psychonarratology: Foundations for the Empirical Study of Literary Response
The field of psychonarratology represents an interdisciplinary collaboration between cognitive psychology and discourse processing, and narratology and literary studies. This work provides a broad, integrative framework for pursuing research that is
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John Frow. Genre (The New Critical Idiom) John Frow. Genre (The New Critical Idiom)
Genre is a key means by which we categorize the many forms of literature and culture. But it is also much more than that: in talk and writing, in music and images, in film and television, genres actively generate and shape our knowledge of
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Gerard Genette. Palimpsests: Literature in the Second Degree (Stages) Gerard Genette. Palimpsests: Literature in the Second Degree (Stages)
Language Notes Text: English (translation) Original Language: French
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Didier Coste. Narrative As Communication (Theory and History of Literature) Didier Coste. Narrative As Communication (Theory and History of Literature)

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Denis Jonnes. the Semiotics of Story (Approaches to Semiotics) Denis Jonnes. the Semiotics of Story (Approaches to Semiotics)

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Bernard Duyfhuizen. Narratives of Transmission Bernard Duyfhuizen. Narratives of Transmission

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Patrick Colm Hogan. The Mind and its Stories: Narrative Universals and Human Emotion (Studies in Emotion and Social Interaction) Patrick Colm Hogan. The Mind and its Stories: Narrative Universals and Human Emotion (Studies in Emotion and Social Interaction)
Patrick Colm Hogan argues that, to a remarkable degree, the stories people admire in different cultures follow a limited number of patterns determined by cross-culturally constant ideas about emotion. Hogan draws on world literature; experimental
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Meyer H. Abrams. The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Galaxy Books) Meyer H. Abrams. The Mirror and the Lamp: Romantic Theory and the Critical Tradition (Galaxy Books)
This highly acclaimed study analyzes the various trends in English criticism during the first four decades of this century.
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Lisa Zunshine. Why We Read Fiction: Theory of Mind and the Novel (Theory and Interpretation of Narrative) Lisa Zunshine. Why We Read Fiction: Theory of Mind and the Novel (Theory and Interpretation of Narrative)
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives,
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